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Countries, including Argentina, Uruguay, Colombia, Mexico, the United States, Slovenia and Germany. The committee chose artists and collectives for the Transe [Trance] exhibition at the city's new cultural space, the Instituto Caldeira. Of the projects selected by the curators, are Brazilian, while another four are artists or collectives from Argentina, Uruguay, Peru, Bolivia and the United States, exploring and investigating new technologies, languages and materials, in addition to revisiting traditional knowledge and techniques. As the lead curator of the Biennial, Marcello Dantas, an interdisciplinary creator, tells us in this regard: "in addition to the high quality of the proposals we received.
It was surprising to find projects that proved to be consistent and quite innovative, relating art to biology and other organic elements." The th Mercosul Biennial is curated by Marcello Dantas, with assistant Phone Number List curators Carollina Lauriano, Laura Cattani, Munir Klamt and Tarsila Riso, while Germana Konrath is the curator for aspects related to education. The president of the Mercosul Biennial is Carmen Ferrão. The multi-site event, started on September and will last until November All exhibitions are open to the public free of charge, making it possible to reach a large number of people. Because art is an indispensable tool that can help heal our collective traumas, from the pandemic to the climate emergency, from wars to private problems.
Line with the principles of “Eco-Curating“, the Ludwig Museum applies the directives for achieving climate neutrality in Cologne by In this sense, „cultural institutions also want and need to establish new environmental standards for their operations—especially museums, which are among the major CO emitters in the cultural sector with air conditioning, lighting, travel, and shipping,“ notes the press release. The actions taken are concrete, with a climate-neutral and freely accessible online catalogue at moderne.de ; any products that may require printing are printed locally on Blue Angel certified paper using mineral oil-free ink. The materials for the exhibition installation are recycled from previous events or in the museum’s internal carpentry shop.
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